I have no real desire to write extensively about this follow-up, except to say that it is exceptional. Perhaps beyond exceptional - say, exceptionally brilliant.
O'Connell has it all down: the vocal cadence, the laughter, the hand-slapping, and the facial ticks, all the way down to the movements of the brow.
Satire at its very finest - when you can quote lines from the piece all day and never tire.
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